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Art I'm Loving - Part 5

Kate

My annual "art I'm loving" round-up is inspired by some recent art museum visits.

 

Rhythm of Bird Flight by Erika Giovanna Klien

Discover the art I'm loving in Part 5 of my annual round-up. Explore vibrant pieces from Klien, Eisenman, Sage, and more. Art I'm loving awaits!

Abstract artwork of a bird in flight, featuring flowing red, gray, and orange patterns. Curved lines create a sense of movement and energy.

Erika Giovanna Klien (1900 – 1957) was an Austrian-Hungarian painter that took part in the Viennese Kineticism movement. This photo does not capture the vibrancy of the real painting.


From Success to Obscurity by Nicole Eisenman

Rock-like figure reads paper with notes, looking focused. Background is a muted olive color, lending a contemplative mood.

Nicole Eisenman (1965 – present) is an French-born American artist focused on abstraction of the human form.


In the Third Sleep by Kay Sage

Surreal landscape with white draped shapes, long shadows, and red lines on a gray surface under a pale blue sky. Minimalistic and calm.

Kay Sage (1898 – 1963) was an American surrealist painter fascinated with the unconscious and human form as architecture.


The Soothsayer's Recompense by Giorgio de Chirico

A statue lies on a pedestal in a shadowed courtyard. Arches cast long shadows; a train emits smoke. Two palm trees in the distance. Calm mood.

Giorgio de Chirico (1888 – 1978) was an Italian artist of the metaphysical school whose surrealist imagery really resonates with me in a post-COVID world. This empty, clean world can be an unsettling horror.


From the Lake No. 1 by Georgia O'Keefe

Abstract painting with flowing curves in blues, greens, and browns. Cloud-like shapes create a calm, dynamic composition.

Georgia O'Keeffe (1887 – 1986) was an an American modernist painter famous for her abstract art, especially close-ups of flowers, and New Mexico landscapes. Her abstract color studies of water have a vibrancy of light that cannot be captured by a camera. In person, this painting glows from within.


Tamara de Lempicka versus Georgia O'Keefe

Four abstract paintings: two of calla lilies with swirling forms; two of skyscraper cityscapes in muted tones, evoking a serene, dreamy mood.

At the Summer 2024 special exhibit on Georgia O'Keefe (1887 – 1986) at the Art Institute of Chicago, I was struck by how similar her paintings are to those of Tamara de Lempicka (1898 – 1980). Their clouds and buildings also remind me of Giorgio de Chirico and Kay Sage, but the comparison is strongest when looking at their studies of lilies and New York skyscrapers.

 
 

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